I think a real storm is brewing as it says on page 12 #36 they were informed it was illegal and continued...I would love to see input directly from Joe at Zoom, and owners at Mr Entertainer and Sunfly as I happen to enjoy the products they are putting out.And no any licensing from the publishers would not HAVE to cover the USA and Canada.... the specific exclusions were added to PRS and other UK licensing a few years ago. A contract can contain anything both parties agree to.
I am happy to see Sony/EMI is not going after those companies.... and I would consider purchasing downloads directly from them but as we know they pulled out of the download market when select-a-track was blocked then Selectkaraoke suddenly appeared doing its best to look like select-a-track.
Athena you're missing the point entirely.. They are NOT getting their licensing from the rights agencies in the UK.. They are getting their licensing from the MUSIC PUBLISHERS. They are two completely separate entities. The rights societies in the UK are COMPLETELY IRRELEVANT TO THIS ISSUE..
So again I ask, what is the point of going directly to the publishers, unless it is to secure rights to sell to the US and Canada?
The difference between North America and the UK is that if I pay for the rights to make a karaoke work here in North America, there is no law that makes that a NEW work, as there is for music.
In the UK, there is.. Since the tracks were made in the UK, that law should apply.
Think about it - all of Beethoven's music is in the public domain, that means I don't need anyone's permission to record, perform or otherwise do pretty much anything with that music. But if I want to preform Beethoven's 5th as performed by the London Symphony Orchestra, I have to buy the sheet music, and get there permission to record it. Why? because that composition is considered a completely new work
If that is indeed the way karaoke works in the UK then that means that the ONLY way Sony would have a claim is if Zoom et al specifically signed a contract stating that they did not own the digital rights to there tracks in the US and Canada, which would be pretty silly in my opinion.
I'll talk to Joe myself and see what he has to say.
I'm not precluding the idea of being entirely wrong, just being stubborn until all the facts are in.
-James